Tuesday, July 27, 2010

The Art of Science: Dr. Harold Willis










Have you ever met someone who is like an onion…the more you peel back, the more you see is there? I guess we’re all like that, really. But I recently spent some time with someone who is especially so.
Dr. Harold Willis is an entomologist (that is the study of bugs, not words!) who retired from teaching at the University of Wisconsin in 2002. He now lives in Grove City, where he works on his art.

When we got together, here’s what I learned:
You can pet a bumblebee when it is gathering nectar from a flower because it is so engrossed in its task that it doesn’t notice.
Citric acid placed under a microscope and shot through with polarized light is super-cool.
It isn’t “micro-photography” but “photomicrography”.
Dr. Willis is really, really, really, really smart.
It is possible for the precision of science and the creativity of art to co-exist.

I asked Dr. Willis about what inspires him. He paused before saying something like, “Oh…this and that.” After spending the morning with him I would say “anything and everything.” Polarized light. The shapes of leaves. The grain of wood. A bag of feathers. A box of discarded matboard scraps. The paint samples at Walmart. Digital technology. Lines and ink splotches.

Anything and everything.

When asked about success and goals for the future Dr. Willis says he would like to keep trying new things, while circling back to watercolor, a medium that has fascinated him for three decades. His work ranges from intricately representational (he illustrated his own doctoral thesis in biology!) to wildly abstract. And everything in-between.

You must come down to the Blue Heron to see some of Dr. Willis’ art. If you’re lucky, he and his microscope will be there and for a moment, you may be invited to enter his world where each detail is examined and prized for its unique beauty, where colors are rich and celebrated and saturated. It is peaceful, it is lovely, and if you pay attention, you just might pet a bumblebee on the way home.

Tuesday, July 6, 2010

Fly With Me...But Don't...

Flying…humming…flowing...elevated…

These are words that describe how I feel when my work is…well, working. Sometimes it seems like there is this mysterious aura surrounding artists, like we’re flying, humming, flowing, elevated all the time. Like the art comes easily and intuitively. Let me take off the mask for a second and be the first to admit that it doesn’t always work that way. In fact, often I find myself confronted with a project that just won’t leave my head and yet won’t give up a solution. What to do??

Sandra Carpenter, editor of The Artist’s Magazine, gives a simple answer: When in doubt, don’t. As in…
Don’t expect to like everything you do.
Don’t set goals that are too high.
Don’t resist chance and change.
Don’t block your unconscious with prodding.
Don’t discount a piece of work because it came easily.
Don’t judge a work while it’s in progress.

I especially found resonance with the second one, but not for the reasons you might initially imagine. Carpenter goes on to say, “I’ve generally found that if I set goals that are too high, what I accomplish turns out to be a letdown. When a painting is progressing well, it takes on a life of its own. The best thing you can do is follow the course the work is taking. Forcing the pursuit of your original intentions will only lead to disappointment.”

How does this all relate to inspiration and creativity? Well, sometimes I have to let go of my conscious goals and plans to let the work lead. My intuition takes over (if I haven’t “blocked it with prodding!”) and…

I’m flying…flowing…humming…elevated…

Namaste.